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Stampin Up On The Horizon Card Ideas: Half Of A Yellow Sun Streaming Vostfr

The kit is called Beyond The Horizon and it is beautiful! Why should you try them? CLICK HERE to learn more.

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See 6 easy card ideas that will WOW you!!! So today I'm sharing my first set of alternate projects with the Beyond the Horizon March 2022 kit. Then be sure to visit my blog again soon, because I have many more alternate projects that I'll be sharing towards the end of the month and again on June 10th. The Mini Stampin' Cut & Emboss Machine and select compatible bundles can be bought together or separately. The only way to rectify was cut the card front either side of the embossed area. Thanks for stopping by, and I will see you again next week for more inspiration, ways to improve your card making & products I recommend for excellent results every time. Or see the full list of products below. Stampin up on the horizon card ideas worth. Card size: 4-1/4″ x 5-1/2″. Coordinating kit colors: Balmy Blue, Basic Black, Bermuda Bay, Crushed Curry, Evening Evergreen, Granny Apple Green, Melon Mambo. If you have any questions, please let me know in the comments. This is one of those. Rollin', Rollin' Rollin' — get those Mini Stampin' Cut and Emboss Machines Rollin'…. Stamp With Amy K Double Reward Point Ordering Bonus!

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Amy and Wendy's Recipe cards is a new initiative my friend Wendy and I are excited to introduce to you. The printable includes instructions for cards 5-7 in my Arrow fun folds series as well as a full supply list and template. I had added the die cut circle from Stylish Shapes, adhered the sentiment die cut but wasn't happy with the result. Stamp the birds first onto a new Thick Basic White folded card base. Click here for a short promotional video. Stampin up thinking of you card ideas. Click here or below for an informative video about the "Mini Boss". Paper Trimmer 152392 $25. Cards 5-7 of my Arrow Fun Fold Series featuring the Stampin' Up New Horizons Suite. A number of select stamp-and-die bundles that are compatible with the Mini Stampin' Cut & Emboss Machine will also be available for purchase at a 20% discount. Happy Stamping, Amy0.

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If you want it all, you can buy the suite otherwise you can order each item as you wish. 3 relevant results, with Ads. Check out the details here. Misty Moonlight Ink Pad 153118 $7. You know the feeling when you do that and how annoyed with yourself you are!!!! Remember to watch my video first to get measurements, tips and directions. I love the colors and layering on this card!

You don't have to close your eyes to imagine it because the scene and calm are set with this handmade beach card idea using the Stampin' Up! I used the Winter Blues colors from Sunday Stamps 277 for the card below…. The stamp-and-die bundles that can be found in a current catalog will be replenished until they retire. Sign up for my May Class in a Kit closes May 20. This gave me a center piece about 2 ¾" x 4". Products are available in all markets while supplies last. I have an amazing team of stampers and we would love for you to join our stamping community and share the creative fun with us. The two embossing folders in the pack both create really effective backgrounds. Or did you by chance miss out on getting the March Kit? Stampin up lots of heart card ideas. Card: Basic White Cardstock 159276 $9. All products are available while supplies last, and there are no purchase limits. Gosh, that fence is a reason enough to get the dies…lol…but seriously, love the landscape dies!

Try to match up the designs. More information available HERE. MORE PHOTOS OF THESE CARDS. My card base is Blackberry Bliss card measuring 29 x 10. Your kit will use 6 sheets so you have 16 sheets left to create more stunning cards with.

Irma Mcclaurin, Anthropologist: The fact that Zora is able to finagle a scholarship out of an event where she meets someone for the first time speaks to her prowess as someone who is able to engage people. Charles King, Political Scientist: Around 1920 or so, Franz Boas said that a change had come over his seminar rooms in recent years, that as he put it, "All my best students are women. Zora is the kind of person you either love her, or you hate her. Zora (VO): I am getting much more material than before because I am learning better technique. Watch Zora Neale Hurston: Claiming a Space | American Experience | Official Site | PBS. She liked having people of color around her. They're the same thing.

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Narrator: When Charles S. Johnson, editor of Opportunity: A Journal of Negro Life, the influential publication of the National Urban League, invited Hurston in 1924 to submit work, she sent a joyful, day-in-the-life short story that drew from her own childhood. Half of a yellow sun streaming vostfr film. The kind of Christmas that my half-starved child-hood painted. Charles King, Political Scientist: She's saying that if you need a category for someone who is both living and dead at the same time, that is deeply revealing about the society that you're from. Narrator: Zora Neale Hurston was determined to have a career; "I shall wrassle me up a future or die trying, " she had once written to Mason.

Dec 08, 2017Mismarketed as a spy thriller, The Exception is nothing more than a romance movie, a romance that has certain obstacles to be sure, but most any romance put to screen does. Zora (VO): One other item of expense, Godmother. Lee D. Baker, Anthropologist: Franz Boas had a good eye for talent, and he didn't care if they were Black, white, women, male, or the like. Col. Sigurd von Ilsemann. The experience that I had under you was a splendid foundation. Half of a yellow sun streaming vostfr series. Although they were interested in the zombies. Daphne Lamothe, Literary Scholar: I think that Hurston had an understanding that at the root of it, whether people in Haiti thought about and talked about zombies as a kind of folklore, or a phenomenon that actually existed, that at the heart of it, this kind of fascination with the zombie is really about freewill. I am attempting a volume of work songs with music for piano and guitar…I shall send you the first song as soon as I get it finished to see if you like it. Zora (VO): Negro reality is a hundred times more imaginative and entertaining than anything that has been hatched up over a typewriter. María Eugenia Cotera, Modern Thought Scholar: Folks began to respond to her, and even repeat back verses of Langston Hughes's poetry to her.

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Hurston was collecting folklore to demonstrate the legitimacy and the sophistication of Black vernacular, Black folk life, of African American rural culture. Narrator: Despite her publisher's robust promotional campaign and rave reviews in national publications, Their Eyes Were Watching God did not sell well. Eve Dunbar, Literary Scholar: She's an aging Black woman, with no children and no husband. Set with her two-seater she named "Sassy Susie, " Hurston took off for Eatonville. And he worked with the Inuits and other people. She devoted most of her time to fieldwork on a topic that she perceived White folklorists to be sensationalizing and misrepresenting—"Hoodoo" and conjure: folk religion and practices created by enslaved African Americans. The Exception is well acted, (which may come as a surprise to some people when it comes to Jai Courtney) but oddly made. Daphne Lamothe, Literary Scholar: There are scenes where some of the very stories that she collected when she was doing fieldwork in Eatonville are incorporated into the plot. Half of a yellow sun streaming vostfr movie. He had blue eyes lawd lawd he had blue eyes. Cap'n got a mule... Lee D. Baker, Anthropologist: I think it's really both endearing but also telling that Zora Neale Hurston, in Mules and Men begins to blend her fiction with her science and her science with her fiction.

Lee D. Baker, Anthropologist: She wanted a much more comprehensive and much more scientific sort of tone, including a lot of religion, and the children's games, and sort of almost an encyclopedia. Charles King, Political Scientist: For the young people who came into his classrooms, these were revolutionary ideas. But they're operating against a very powerful ideology of the inferiority of populations. Lee D. Baker, Anthropologist: Zora Neale Hurston was excited to study anthropology at Columbia because so much of American society and the media did not value African American culture. Lee D. Baker, Anthropologist: This is after she had already been a novelist and had been a member of the American Folk-Lore Society, and the American Anthropological Association. Daphne Lamothe, Literary Scholar: The 30s was really understood to be the protest era, where the fiction was much more explicit in addressing questions of interracial conflict, of racism, and their impact on Black people. Life poses questions and that two-headed spirit that rules the beginning and end of things called Death, has all the answers. Irma McClaurin, Anthropologist: They have already decided what she can and can't do. You might also likeSee More. Lee D. Baker, Anthropologist: She was using this contemporary poetry that was written up in New York, bringing it down south and then the the southern folkloric tradition would take it, turn it up on its head and make it anew, and so she was documenting how folklore and culture was actually being created in front of her eyes. Dancing, fighting, singing, crying, laughing, winning and losing love every hour. I don't want anything but to get at my work with the least possible trouble.

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I hope the American reading public will encourage her further wanderings. Charles King, Political Scientist: We now recognize her as being not only critical to the canon of American literature, but a figure whose work as a prose writer, as a social scientist, is closer to what we would now think of as good, self-aware, self-critical social science. She wrote that book in dialect. Hurston brought him gifts of food and drove him to complete errands. Hurston eagerly quit teaching mid-semester to get back into the field.

Carla Kaplan, Literary Scholar: Here is a Black woman traveling alone with an exposed revolver. Narrator: Though her publisher promoted the most sensationalistic aspects of her research, Hurston's Tell My Horse was not a commercial success. Narrator: The book with its strong sales validated the significance of her anthropological study, but success still did not translate into funding for her continued fieldwork. Narrator: Something of a celebrity on campus, Hurston later remarked that she was "Barnard's sacred black cow. " Zora (VO): I am being trained for Anthropometry and to do measuring. Lee D. Baker, Anthropologist: Dust Tracks on a Road is highly edited. Fly in the Buttermilk. But it was her fiction, thick with dialect, cultural-specificity and richly-drawn characters that over time would cement her place as one of the most important writers of the 20th century. So she does this, um, very, I would say, opportunistically. Irma McClaurin, Anthropologist: Harlem in the 1920s is a magnet. He only paid her tuition for a short time leaving Hurston to scrub the school's floors to finish out the year—and then she was on her own. Carla Kaplan, Literary Scholar: Hurston worked across many different disciplines, many different fields, many different kinds of artistry. It is a "lovely book, " stated a review in The New York Herald Tribune, praising Hurston as "an author that writes with her head and her heart.

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Zora (VO): I took occasion to impress the job with the fact that I was also a fugitive from justice, "bootlegging. " These men didn't represent a thing she wanted to know about. Zora (VO): Folk-lore is not as easy to collect as it sounds. And I think Mules and Men is one of the best examples and the first examples of that. Narrator: Hurston had other publishing successes. That kind of spontaneous creativity is amazing given the harsh conditions in which people were working. She is not a member of that society. Narrator: An unexpected encounter with Langston Hughes in Mobile, Alabama in July brightened Hurston's mood. Hurston vowed at her first college assembly in 1919, "I swear to you that I shall never make you ashamed of me. " She fought for Black women in her writing, in her anthropology. Narrator: In 1931 the Journal printed Hurston's one-hundred-page article, "Hoodoo in America, " which began cementing her as the American authority on the topic.

Hurston (Archival VO singing): I got a rainbow wrapped and tied around my shoulder. Narrator: At first Hurston resisted her publisher's desire for her to write an autobiography. Lee D. Baker, Anthropologist: And that was believed by a lot of people, but Zora Neale Hurston understood that culture was not being replaced as much as it was emerging and on a continuum. Her ethnographic writing debuted the previous year in The Journal of American Folk-Lore. Her arrival was met with a blur of invitations to dinners and speaking engagements. Lee D. Baker, Anthropologist: Anthropology is an old discipline. You remember that we discussed the matter in the fall and agreed that I should own only one pair at a time.

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Narrator: Hurston's new methodological approach was apparent once she arrived at the Alabama home of Cudjo Lewis, one of the last known surviving Africans of the Clotilda, thought to be the last American slave ship. And Alain Locke's critique in a one-paragraph review suggested that she was drawing on old literary traditions. She jumped at the sun. María Eugenia Cotera, Modern Thought Scholar: She goes off after taking a few classes in anthropology really intent on being this good Boasian anthropologist—following Boasian methods of participant observation. Her Americanness really comes through in how she writes that work.

IIrma McClaurin, Anthropologist: Zora studied her own people, which is not something that is supported in anthropology at that moment. Fannie Hurst, one of the nation's most successful writers, sought out Hurston after the event to hire her as personal secretary. We were the objects of study, but we were not supposed to be the researchers. Carla Kaplan, Literary Scholar: There were very few Black women with doctorates of any kind in the 1930s. Narrator: For Tell My Horse: Voodoo and Life in Haiti and Jamaica, published the next year, Hurston drew on the material she had collected during her back-to-back Guggenheim fellowships. So I was hiding out. I realize that this is going to call for rigorous routine and discipline which everybody seems to feel that I need.

Irma McClaurin, Anthropologist: Columbia at that moment, has organized all of its courses around salvaging information about indigenous Native Americans. I have wanted the training very keenly and tried very hard to get Mrs. Mason to do it for me.

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