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Gaspar Cassadó: Suite for solo cello (1926). This serves as an introduction to elaborated versions of the contrapuntal episodes, finally providing a concluding passage. How Anderson became familiar with Reger shaped much of the material in the book. "The beginning and end of all music, " per Max Reger (4). However, the first transcription of an organ piece we encounter on this set is the wonderful Passacaglia in C minor, BWV582, a real tour de force for the organist. Piano Duo Takahashi|Lehmann. Works in the latter part of his life include the Acht geistliche Gesänge op. The beginning and end of all music reger is a. Original Release Date: 2019.
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As already stated, Norie Takahashi and Bj rn Lehmann are wonderful throughout, their's is a real partnership, with the resulting performance being excellent, one which has soon become my "go-to" recording for these works and Reger transcriptions in general. He brought it to vivid life through music not just once, but twice, turning a few verses from the gospels into monumental 3-hour-long masterpieces, complete with orchestra and choir! Read more: The twelve musical days of Christmas. Quick changes between pizzicato and arco. The beginning and end of all music roger karoutchi. I did not miss the orchestra once, which is something I can't say about every recording I have heard before. "Sebastian Bach is for me the beginning and end of all music; upon him rests, and from him originates, all real progress! This arrangement makes the most of Bach's sonorities, something that is brought out to the full here. It is also amazing that Reger, the contrapuntist, frequently employs blocklike insertions and larger melodic arcs, but the lets the setting remain simple.
Because of his polyphonic compositional style, he was also revered by his followers as 'the modern Bach'. Each programme has been specially geared toward the organ used, and only one CD uses more than one organ (CD 13, with three organs). Melodic contour is disjunct with many leaps and some half step motion. That Bach could be misunderstood for so long is the greatest scandal for the 'critical wisdom' of the eighteenth and nineteenth centuries. " Reger held this position until the beginning of the war, when the orchestra was disbanded, an event that coincided with his own earlier intention to resign. The beginning and end of all music reger codes. The final work on the disc is the popular Prelude & Fugue in E flat major, BWV552 'St Anne', another truly wonderful organ work, Reger made two arrangements of this piece, the other for solo piano.
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Read more: 5 Best creative classical music arrangements. Reger was born in 1873 at Brand in the Upper Palatinate, Bavaria. The 17th CD is an interview with Martin Schmeding, all in German. It is among the most significant works for solo cello written since Johann Sebastian Bach's Cello Suites. D minor Toccata, a familiar recital work, a true transposition of Bach into a more recent world, with the appropriate contrapuntal sections and moments of quasi-improvisatory freedom. The beginning and end of all music, per Max Reger Crossword Clue and Answer. This session produced a number of fine essays,...
Themed playlists, insightful articles, exclusive videos and quirky anecdotes: our team of experts has curated a dedicated space for you to discover the Leipzig Cantor's eternal genius. Characteristically extreme dynamic markings are used, with the expected chromatic modulations. All the more striking is the contrast between these works and the works which he composed in the last years of his, sadly, all too brief life. New York: Routledge, 2006. And the good news is that it's a present you can open all year round! Because I didn't have many qualifications other than being able to play the piano, I was given the job of chaplain's assistant, and happened to be assigned to a rabbi who was a great lover of music. Martin Schmeding, organ. Max Reger Edition: Sämtliche Orgelwerke. Stylistically it acknowledges 18th century dance forms before saluting the Tango of our own century.
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Techniques include rolled chords, slurred pizz across strings (both ascending and descending), left hand pizzicato while bowing. This is among the most demanding (whether for the performer or the listener) of Hindemith's chamber works, for all that its indebtedness to the Cello Suites of Bach is never in doubt. Here the performance by the Piano Duo Takahashi|Lehmann lives up to the sparkling transcription. Want to find out more? Opulent and festive, his revamped masterpiece celebrates the three days of Christmas, the New Year, the first Sunday of the year and the Epiphany. He spent his final years based in Jena, but continuing his active career as a composer and as a concert performer. But it was not only as an interpreter of piano, chamber and orchestral music that he championed his musical role model throughout his lifetime, but also as the editor of several orchestral suites and concertos as well as the arranger of numerous organ works. Pastorale: Dotted rhythms in a triple feeling which revisit the intervallic unpredictability of the first movement.
2 x 14 cm; 90 Grams. Did you know that the term "toccata" comes from the Italian word for "touch"? O große Lieb from St John's Passion, BWV 245. 2, 'Sarabande', BWV 1008. Here, if anything, Reger added new impetus to the work, with the performers rising to every challenge set. Despite an enormous output of everything short of an opera, he is best known today for his organ music. Max Reger (1873-1916) was one of the most distinguished German musicians of the 19th century and a prolific composer, organist, pianist, conductor, and teacher. Then by a slow movement which forms the centerpiece of the work in every respect, its high-flown eloquence and questing culmination setting the music on an altogether more elevated plane. I will leave you to find out how much this massive collection costs. It was premiered by Jenő Kerpely, the cellist of the Waldbauer-Kerpely Quartet, which had premiered the first four string quartets by Bartók. Walter Väth's first encounter with Max Reger was on the organ with his choral fantasies.
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The opening movement makes for a tense and even aggressive prelude, focusing on some highly intense and demanding passagework. 1 in G for solo cello (1915). No, this isn't from your local Starbucks' latest billboard campaign… We owe this satirical wit to one of Bach's most celebrated secular pieces, the aptly named "Coffee Cantata". Again the sense of improvisation is never far away, as chromatic textures thicken and the Fantasia reaches a final dramatic climax. Bach & Reger: Transcriptions for Piano Duet. Henze made an international reputation as a composer for the theatre, contriving to renew the genre in ways which are often as startlingly innovative as they are disarmingly simple. Speeds are kept within a sensible range, balancing the technical complexity of the music with the acoustic of the various churches – all of which have sympathetic acoustics.
Poco Allegretto: This movement is entirely pizzicato. 1 in F Major, BWV1046 [19:19]. Inwardly, the three movements are tightly linked by recurring motifs and intervals. Middle section is more lyrical with sudden mf's and quick diminuendos. Max Reger owed his earlier interest in music to the example and enthusiasm of his father, a schoolmaster and amateur musician, and his early training to the town organist of Weiden, Adalbert Lindner. Military service, which affected Regers health and spirits, was followed by a period at home with his parents in Weiden and a continuing series of compositions, in particular for the organ, including a monumental series of chorale fantasias and other compositions, often, it seems, designed to challenge the technique of his friend Karl Straube, a noted performer of Regers organ music. His position in musical life was in some ways an uneasy one, since he was seen as a champion of absolute music and as hostile, at this time, to programme music, to the legacy of Wagner and Liszt. Andante con moto, rubato: 3 instances of high plucked thirds (B-flat and G) interspersed with arco in a leaping rhapsodic character. Piece: solo cello work by Perle. The expressiveness which Reger achieved in a simpler style in his later years, presents a highly interesting contrast to the motets, composed several years previously and representative of the "more difficult" Reger style.