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Narrator: Hurston, who was likely forty-four-years-old by then, decided to stop attending classes and focus on her own writing instead. In a way it would not be a new experience for me. Irma McClaurin, Anthropologist: The research that Zora Neale Hurston did in Beaufort, South Carolina represents the culmination of her work as an authentic anthropologist. Half of a yellow sun streaming vostfr movie. The next year, her friend anthropologist Jane Belo asked her to conduct research on religious trances in Beaufort, South Carolina. There's a lot of behind the scenes stuff that we really don't have access to.
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Irma Mcclaurin, Anthropologist: She's very secure in wanting to advance herself, and she will take advantage of any opportunity to do that. The document deemed Hurston an "independent agent" hired "to seek out, compile and collect all information possible, both written and oral, concerning the music, poetry, folk-lore, literature, hoodoo, conjure, manifestations of art and kindred subjects relating to and existing among the North American Negroes. Irma McClaurin, Anthropologist: She's one of those children that people would say, "Go, go away. The Daily News advised, "The fascinating Zora Neale Hurston, " is "too good to miss. And for Hurston herself, having grown up in Jim Crow Florida, she knew what that category meant for someone to be fully, wholly alive but socially dead, socially invisible to the people she was surrounded by. These men didn't represent a thing she wanted to know about. Eve Dunbar, Literary Scholar: It's an unwillingness to be disciplined in the sense of academic disciplines—anthropology, and disciplined in the sense that she won't be contained. Cap'n got a mule... Watch Zora Neale Hurston: Claiming a Space | American Experience | Official Site | PBS. Lee D. Baker, Anthropologist: I think it's really both endearing but also telling that Zora Neale Hurston, in Mules and Men begins to blend her fiction with her science and her science with her fiction. Tiffany Ruby Patterson, Historian: She still has a lot she wants to do. María Eugenia Cotera, Modern Thought Scholar: She goes off after taking a few classes in anthropology really intent on being this good Boasian anthropologist—following Boasian methods of participant observation. Zora Neale Hurston felt excited and for once—financially secure. Irma McClaurin, Anthropologist: It's almost like having Eatonville in one space again, because it's a Black space. These sitters had been tongueless, earless, eyeless conveniences all day long. Lee D. Baker, Anthropologist: Anthropology is an old discipline.
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Another had her lie naked and fasting for sixty-nine hours, experiencing strange and altered dreams. Narrator: No longer beholden to "Godmother, " or "the Park Avenue dragon, " as she once referred to Mason in a letter, Hurston could freely pursue fiction. So the first week of January, 1925, found me in New York with $1. And so you just watch what happens to Black women who almost always live in precarity in this society. I am surged upon and overswept, but through it all I remain myself. I found it out in certain ways. Half of a yellow sun film review. She tried to replicate Cudjo's own language. When the novel is dismissed as a romance or a love story, or even worse, as a kind of dialect novel in some cases, what I think is lost there is the incredibly complex vision of power and oppression and racism that is presented in that novel. Music (Archival, Hurston singing "Shove It Over"): Shove it over!
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She was a published writer, friends with Fannie Hurst and part of the ambitious younger generation of Harlem's artists which made progressive minded Barnard students eager to know her. Hurston (Archival VO): I learn 'em. Boas had convinced pre-eminent Black scholar Carter G. Half of a yellow sun movie download. Woodson, director of the Association for the Study of Negro Life and History, and wealthy sociologist and anthropologist Elsie Clews Parsons to fund her trip. Religion and education were highly valued in a home ruled by her preacher father. Tiffany Ruby Patterson, Historian: Her father was very domineering. She doesn't belong, so she has to figure out how to get inside of it. Blue bird, blue bird through my window. Her Americanness really comes through in how she writes that work.
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Narrator: From Alabama, Hurston headed off to Florida where men worked at felling pine trees, manning sawmill camps, boiling turpentine and mining phosphate. María Eugenia Cotera, Modern Thought Scholar: She signs a contract that she will not share any materials with anyone or publish anything outside of Mason's approval. "But I have lost all my zest for a doctorate. In autumn, Hurston returned North to write her reports and face her mentor.
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It's a literary world. She left us her vision of the legitimacy of Black people as a people, as a culture. With Godmother's approval, she had submitted "Dance Songs and Tales from the Bahamas" based on three months of fieldwork in the country. Lee D. Baker, Anthropologist: Even as liberal, and as important and empowering as Franz Boas and, and some of the professors were, there was still some implicit bias that there was not equality of intellectual engagement, if you will. One of the ministers remarked, "the Miami paper said she died poor. Carla Kaplan, Literary Scholar: She was running up incredible debt. Eve Dunbar, Literary Scholar: Why a text like Mules and Men is so important is that she resists the simple extraction, cultural extraction.
Langston Hughes, the promising twenty-four-year-old writer from Missouri won the first prize in poetry, but that evening Hurston won the most prizes—two second place awards and two honorable mentions. Carla Kaplan, Literary Scholar: There were very few Black women with doctorates of any kind in the 1930s. Narrator: Charlotte Osgood Mason, the white, wealthy member of old New York society who was Langston Hughes's benefactor, offered Hurston a way to resume her research. There was open kindnesses, anger, hate, love, envy and its kinfolks, but all emotions were naked, and nakedly arrived at. Irma McClaurin, Anthropologist: It's where Zora steps into the traditional anthropology, where she's studying the other. Hurston (Archival VO singing "Crow Dance"): Oh Mama Mama come see that crow, see how he fly, Oh mama come see that crow see how he fly, This crow this crow gonna fly tonight, See how he fly…. I mean the first Yule season when reality met my dreams. Daphne Lamothe, Literary Scholar: There are scenes where some of the very stories that she collected when she was doing fieldwork in Eatonville are incorporated into the plot.
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