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With Mason's support for another year, she was able to rent a three-room house. Mason was a profoundly anti-academic person. Zora (VO): I am getting much more material than before because I am learning better technique. What you see in the Harlem Renaissance is that people are very intentional in understanding what it means to write about and represent culture, and Black culture, in particular. Half of a yellow sun full movie. Anthropology started to support Jim Crow segregation. Her mother gave her permission to dream, a permission to ask questions, a permission to be artistic. Hurston (Archival VO): Oh well you may go, but this will bring you back….
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Music ("College on a Hilltop"): …sing to dear old Barnard…. Eve Dunbar, Literary Scholar: There was a certain amount of progressiveness in Boas' vision about training, in deputizing minoritized people in order to go into their own cultures that wasn't necessarily done. Narrator: With the success of her books, Hurston streamlined her focus, deciding that her "life work" was literature. She said "No I'm going to do it this way. Tiffany Ruby Patterson, Historian: She said, "I have to keep going and answer the questions about my people. Half of a yellow sun movie download. " Charles King, Political Scientist: Throughout her entire life, the powerful people around her consistently thought of her as being an outsider, less than talented—a marginal figure. She's talking about Black culture, not just in the United States, but in the Caribbean, as well.
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Carla Kaplan, Literary Scholar: It wasn't just that Zora Neale Hurston lost a meal ticket. Daphne Lamothe, Literary Scholar: Hurston's the daughter of a preacher. Irma McClaurin, Anthropologist: It's also the period of time where she's falsely accused of having improper relations with a minor. Zora (VO): I hurried back to Eatonville because I knew that the town was full of material and that I could get it without hurt, harm, or danger. Lee D. Baker, Anthropologist: That was the authenticity, that was scientifically valid and genuine. Man (Archival VO): How do you learn most of your songs? But she could no longer ignore the narrative that had been welling up inside her. Eve Dunbar, Literary Scholar: That is what she modeled very early, and what the discipline at that point wasn't ready for. A Raisin in the Sun streaming: where to watch online. All your senses need to be engaged in this beautiful creation. Eve Dunbar, Literary Scholar:, Literary Scholar: She's interested in all elements of Black Folk. Narrator: Hurston majored in English, and penned poetry, stories, essays and plays drawing from her life in Eatonville. Audience Reviews for The Commune. Irma McClaurin, Anthropologist: They have already decided what she can and can't do. Publishers wanted her to translate it for white readers into Standard English, and she refused.
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Irma McClaurin, Anthropologist: Harlem in the 1920s is a magnet. Hughes told her he would put in a good word with his New York patron. Then I had to have the spy-glass of Anthropology to look through at that. I found out later that it was not because I had no talents for research, but because I did not have the right approach. So I hope that the unscientific matter that must be there will not keep you from writing the introduction. Zora is the kind of person you either love her, or you hate her. Lee D. Baker, Anthropologist: Interviewing an enslaved person that came from Africa was compelling for her. I am being trained to do what has not been done and that which cries out to be done. That is to say, she's someone from the communities that she is studying. And Zora brings her Southerness with her because she's not ashamed of it. Narrator: Boas landed at Columbia University.
Narrator: In her second semester, Hurston wrote a paper in her anthropology class that resulted in a summons from Franz Boas, the world-renowned founder of Columbia University's Anthropology Department. Narrator: Hurston received an early Christmas present when her production so impressed the Rosenwald Fund that the philanthropic organization, focused on African American education, offered her a scholarship to pursue a Ph. She's thinking of how to take this data that she's collecting as part of her formal research and then translate it into a form that is then going to be accessible to the people she got it from originally. María Eugenia Cotera, Modern Thought Scholar: The assumption behind participant observation was always that you were studying, as the anthropologist, a different culture. Carla Kaplan, Literary Scholar: He and Zora Neale Hurston were enormously important to one another in every sense: emotionally, aesthetically, intellectually. And, I think that Hurston had a strong investment in the spiritual life of Black people and Black women, in particular. Narrator: Just four months after arriving with hope and a bag of stories, newcomer Zora Neale Hurston gained a pivotal foothold in New York at Opportunity's first annual literary awards. A Raisin in the Sun(1961). Narrator: By evening's end, Hurston also had met and impressed two influential women who would support her academic goals.
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