The Phantom Of The Opera Book Review

But, the story is well presented, despite its being twisted, dark, and gothic in semblance. I'm going to have to say the play, or at least the Andrew Lloyd Webber soundtrack, is better than the book. Those who visit the Majestic expecting only to applaud a chandelier - or who have 20-year-old impressions of Mr. Crawford as the lightweight screen juvenile of ''The Knack'' and ''Hello, Dolly! '' The book Phantom is way more creepy than the movie Phantom. He plays tricks and dresses-up, is petty and churlish, cries an awful lot about nothing, and is manic in the way of a late night monster movie actor screaming at a fake ghoul. Yet the stylistic tone never overwhelms the story, but instead services to heighten its romanticism, and the themes of social alienation and artificial reality. However, this is in no way the case. We would of course encourage anyone buying this to support their local independent shops. It was published in 1911 and has since been adapted into many other forms. For an added lift, we visit the opera-house roof, with its cloud-swept view of a twinkling late-night Paris, and the subterreanean lake where the Phantom travels by gondola to a baroque secret lair that could pass for the lobby of Grauman's Chinese Theater. Forget what you've learned about THE PHANTOM OF THE OPERA, this is deeper, more subtle. The masked Phantom then kidnaps Christine and retreats to his abode in the cellars of the opera house.

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The Phantom Of The Opera Book Review 2022

And so it was when on a recent holiday to Hvar that I found myself wandering around Split en route back to England that I stumbled across a book shop when exploring the underground market and consequently bought my second copy of Gaston Leroux's most famous novel. I usually assume that older books will take a bit to become accustomed to the older writing style, but this one was an easy read. Christine ends up getting out of the carriage and is saved by Raoul. This ebook features a new introduction by Otto Penzler and has been professionally proofread to ensure accuracy and readability on all devices. They speed things alone of course, because it is under 90 minutes long. Further information can be found at Titan Comic's own website, via the below link. Christine and Raoul. In the musical, he is clearly messed up, but you just aren't as bothered by him as you are in the book and '25 movie. With an increasing pattern of fear and violence, The Phantom of the Opera begins to strike, but always with a beautiful young performer at the center of his deadly desires. In the musical, Raoul doesn't take Christine seriously at first, but in time sees the threat the Phantom is and they have the duel at the graveyard.

He becomes involved when Christine disappears. He is a killer, but one can't help but understand where he's coming from and why he is the way he is. The phantom falls in love with soprano Christine Daaè which causes a ton of trouble for the opera house. It's over the top and boring for the most part, no matter how interesting the characters are. Nothing is done, however, until the disappearance of Christine during her triumphant performance. Lloyd Webber's esthetic has never been more baldly stated than in this show, which favors the decorative trappings of art over the troublesome substance of culture and finds more eroticism in rococo opulence and conspicuous consumption than in love or sex.

The Phantom Of The Opera Book Review Movie

Shakespeare's text has been liberally but judiciously cut, staying true to the thematic meaning while dispensing with longer speeches (with the notable exception of the renowned "to be or not to be" soliloquy) and intermediary dialogues. Nov 29, 2012It took them, like, 78 tries, but they finally got the musical version, which, in all fairness, didn't hit the stage until nearly 80 years after "Le Fantôme de l'Opéra" came out, but that still narrows the number of adaptations down to about 43 since 1986. Singers, dancers, and stagehands have all seen him lurking in the shadows of the set, and each describes his face differently. Raoul is Christine's childhood friend and current romantic interest. Christine Daaé is a young Swedish soprano singer. However, the water doesn't stop and they nearly drown. A stagehand is found in a drunken stupor. The entire narrative is torpid. Even his own mother rejected him. Later, the Ghost appears in the flesh to threaten the opera's new management if they don't keep his box seat open and let Christine sing again. Maybe I misunderstood that part of the book, but that's what it seems like. And he had to hide his genius or use it to play tricks with, when, with an ordinary face, he would have been one of the most distinguished of mankind! Hey there, book lover.

Some say it is on fire, others that it is bare bone, and a terrified few say that he has no face at all. The courageous young Raoul is at lost without his better half and will risk life and limb for her. This faithful adaption begins as Gaston Leroux's novel does. Review date: 5/22/14, written by Caitlin Schesser of. Heavily scored lines of ink form shadows, lending the otherwise bright pages a gritty air. New introductions commissioned from today's top writers and scholars. But she derails his plans when she unmasks him by revealing his deformed and rotting face.

The Phantom Of The Opera Book Review Amazon

The melodrama of the hideous recluse abducting a beautiful young woman in a Paris opera house did not achieve international celebrity until the American…Read More. Well, firstly, it doesn't need to compete. Like Dumas, Gaston Leroux is wordy and stilted (at least in translation), but he wasn't as good a writer as Dumas. Anyhow let's get back to this book review. It was not until 1875 that Garnier's building—whose cost had escalated to more than 47 million francs—was finally ready to be unveiled with a gala event thrown more to demonstrate the political stability attained by the Third Republic than to celebrate the architect's achievement (Garnier, in fact, was famously asked to pay to attend the opening! Erik's ruling over the Opera House gives us the dark and suspenseful overtones present throughout the book.

Only a terminal prig would let the avalanche of pre-opening publicity poison his enjoyment of this show, which usually wants nothing more than to shower the audience with fantasy and fun, and which often succeeds, at any price. This is a quick read and was originally published as a serial. When once introduced to Leroux's characters, I felt as if we would spend a lot more time in the upper class world, like some renderings of this story make it out to be. He recognizes his childhood sweetheart, Christine Daa , and immediately tries to rekindle their old friendship, and perhaps something more. I have actually visited the Palais Garnier in real life, and I can tell you, this book really does it justice as an otherworldly, magical palace in which all sorts of strange, glamorous things might happen.

The opera Faust, which involves a man who makes a deal with the Devil, is performed. Aside from the stunts and set changes, the evening's histrionic peaks are Mr. Crawford's entrances - one of which is the slender excuse for Ms. Bjornson's most dazzling display of Technicolor splendor, the masked ball (''Masquerade'') that opens Act II. Then Christine disappears. After he runs away from home, Erik begins to wear a mask and joins a circus, using his deformity to earn himself a position in the freak show. Boasting striking color, near-breathtaking flare and brilliant dynamicity, this film is, if nothing else, a masterpiece of art direction, with John Fenner and Paul Kirby translating Andew Lloyd Webber's spectacular with an abundance of graceful artistry to the thoroughly attractive visuals, complimented by John Mathieson's lushly handsome cinematography.

This is a good book, but in my opinion it's not one of the best when it comes to Gothic literature. It is indebted to the Gothic tradition and the fantastic literature and serial novel of the nineteenth century; at the same time it is a precursor of the twentieth-century detective and mystery story that would flourish both abroad and in France with the fiction of Agatha Christie and Georges Simenon, among others. Artwork by: Jose Maria Beroy. His singing voice was the only one I didn't enjoy in the film and its hard to explain but he just doesn't have the voice for a singer. They run off, but then Christine returns and gives him the ring he had taken, then goes back to Raoul.