Breaking Down By Florence + The Machine - Songfacts - Ween Don't Get 2 Close Lyrics

She builds the scene. Press enter or submit to search. It is also the number nine song of the year. Well, the semi-mainstream I guess. She did acquire an appreciate for art…and a rangy, bluesy, soul-seeking croon that can tackle ballads and fast-paced rock hits. Now, before I begin the analysis, let me just say that I understand that Florence and the Machine do experiment with an Indie/Baroque pop flavoring, so the play on classical instrumentation and complete-song crescendo should not be surprising. The drums carry a moderate beat that immediately backs up a keyboard's twangy echo playing a spacey riff and a whole bunch of mood-setting strings. Towards the end of the song you can sense a climax and the lyrics hint to it. The three P's to a good vocal performance.

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By: Florence + the Machine. Florence + The Machine - Breaking Down. The force penetrates her and for a brief moment Florence belts out the lyric "breaking down" but then falls back to a lull, not a monotone, but a lull. Most people know of Florence and the Machine because of their rapid 2009 rise to the top of the charts. This is a Premium feature. Please wait while the player is loading. Florence Welch, lead singer of the band of her creation, is quite a renaissance vocalist. This is partly why I mentioned Shakespeare before. It was shot in an old-fashioned Super 8 film format by Tabitha Denholm, who is one half of the English indie/disco duo Queens of Noize.

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Loading the chords for 'Florence + The Machine - Breaking Down'. Get Chordify Premium now. She has a message, displays it well, and does so with such force and delivery that the listener is left in awe. This is a true baroque/art masterpiece and I'm glad that Florence is bringing musical art back into the mainstream. Tap the video and start jamming! Upload your own music files. It is abnormally succesful. Choose your instrument. She has also become quite a fashion icon for female performers known for long, flowing gowns and untraditional dress. Rising strings lead to a chorus of whispery ohs, a part that are both frightening and strangely welcoming.

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Português do Brasil. Her mother is a Harvard-educated Professor of Renaissance Studies and Academic Dean of Arts at Queen Mary, University of London. But I do believe that this song represents something far beyond a sprinkle of seasoning.

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But for now it's number nine and here it is. Get the Android app. Lungs, FTM's first release, was a gigantic success. Ceremonials, their follow-up, will most likely develop into more of a success as the band supports the album with a tour and the album matures on iPod playlists. A vocal masterstroke.

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Florence's vocal control is extraordinary in every sense of that word. Karang - Out of tune? She describes it as, "Lady of Shalott meets Ophelia … mixed with scary gothic bat lady. " This is a perfect example of vocal precision, passion, and productivity. Perhaps if I had a little more time with it, it may have shot up our charts as well.

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Chordify for Android. She is able to evoke emotion and passion while remaining composed. She sets the stage, in other words. She personifies her depression (at least that's what I take the foreboding, creeping presence as) and describes how it nears her and touches her.

Save this song to one of your setlists. The song's vintage music video includes footage of the band's tour across America as we see snippets of Welch and co in Los Angeles, Las Vegas and New Orleans.

They do speak and perform in the film (you even get glimpse of the Ween-mobile), and watch them eat mushrooms (but they're from Safeway). Scott Lowe provides harmony vocals. Bustin' ass 2 make a buck.

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Basically, if you like Ween, and you don't mind a little bit of guitar jamming, you'll like the DVD, which means you'll like this. And it doesn't even have that much distortion or guitar wank! Take Me Away, Freedom of '76, etc., all suffer from that "legitimate = genius" syndrome. The album has other tracks, some good (I'm kinda intrigued by the ballads-in-embryo of "Tender Situation" and "Loving U Thru it All") and some not really good, but they don't really do much to affect my attitude towards the album for better or worse. "Friends" is a great tribute to slick synth-heavy dance music, and while I don't really care about this genre more than I care about reggae or salsa, I find it difficult to resist the vocal melody and the cheery lyrics here. Wake up little wakeup. The Mollusk is discomforting, but isn't any less fun because of that. Ween don't get 2 close lyrics.html. I should point out as an admission of potential bias that the 2007 show was the date with my then-future wife that convinced her that I was actually secretly a fun-loving guy that was worth getting to know better after all, whereas previously she thought I was a little too serious. Not to mention, doesn't this album have sort of a Theatresque flow? I could make the point that Buenas Tardes Amigo does the same, but that one bores me instead. When "Echoes" (live at Pompeii) kicks in it is for this reason. Think about that stuff. White Pepper and Qu bec are not as excellent, but they're equally satisfying and fun.

If u think that I'm a loser. Look, you just entered my world, right? And drift off into dreams. Plus I crack up at the acoustic intro and outro that have nothing to do with the rest.

Scream softly you are able. As for What Deaner Was Talkin' About, they'd do much better songs in this style later on, like Stay Forever. Smack dab in the middle of a situation. Ween are making a full blown artistic.

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It's called the "I Can't Put My Finger On It Intro. " Dude's hounding this bitch. Watch the litle daisies grow, little daisies grow. Three of the tracks fall cleanly within the "art rock pastiche" label that often gets attached to this album, and if "The Golden Eel" seems a little weak in comparison, it's only because the other two are so magnificent (and "The Golden Eel" is definitely really good, with a fascinating riff, epic-style guitar breaks and silly but attractive lyrics). In the end you're filthy dirty. Ween - Don't Get 2 Close lyrics. That song was recorded by the band for a Pizza Hut commercial. The Mollusk sounds like a honest work of passion for music, while this one is trying too hard to show talents that really don't impress me.

A strange place where you can meet strange people and talk to them. They also had some occasional bouts of surprising sophistication in their humor, though; there's something to be said about making a Philly Soul song about Philadelphia, for instance. The gentle kiss of night is better than it seems. Because it's Ween and it's ridiculous, that's why. The Friends EP - 2007 Chocodog. "Take Me Away" is a perfect opener, absolutely nailing Tom Jones-ish Vegas-y blues rock, and the production is so strong compared to before that it can't help but make every detail (especially in the guitars) totally intoxicating. Hey, dude, he's the stallion). If you were to pick an album that shows what Ween sounds like, this might be it. "Back to Basom" has some elements of early 70s Pink Floyd in it (some of the quieter guitar moments, some of the more climactic synth passages in the middle), but it has much less in common with established 70s prog rock bands than did "Buckingham Green, " and I don't remember hearing anything quite like the "Call is waiting, contemplate a thread already spun" vocal part in my favorite old prog rock albums. Ween - Don't Get 2 Close (2 My Fantasy) spanish translation. I like Baby Bitch, though; you pointed out the similarity to Idiot Wind, and I think it works because it amplifies and exaggerates the aggressiveness of the song while contrasting it with the typical "laidback" Lennon style. At some other fuckin' dump. Who works for 5 an hour.

Then, maybe, you can come back to this and then rightly appreciate the album on its own merits, which are considerable. Like, okay, it seems really bizarre and weird and chaotic, but can you imagine "Freedom of '76" immediately after "Take Me Away"? Ironic that it's one of the more "normal" songs on here. Some of the songs, as usual, are relatively easy to peg into specific genres, and once again there are definite winners in this regard. A Dean Ween side project with Guy Heller. Put another way: The Mollusk may be a well-conceived, meticulously-crafted variation on the joke and greatness of Ween, but GWS and C&C are the joke and greatness of Ween. DON'T GET 2 CLOSE Lyrics - WEEN | eLyrics.net. D. (Great / Very Good).

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Unfortunately, someone convinced them to go back to making. When the tone of a song didn't seem like it would merit profanity, they loved to drop in just a smidge, and when the tone of a song seemed like it could merit some, they would often saturate the song with more than it could reasonably bear (and in some cases, when it seemed like some would be reasonable, they would completely avoid it). Rumor has it that most of the sampled copies went to Canada, so good luck getting it up there, eh? Subsequently they started messing around with home recording, and formed Ween basically to make recordings to amuse their friends and themselves. I find reggaejunkiejew offensive. Ween don't get 2 close lyrics.com. The other thing is that it doesn't sound like they are outright emulating other bands on this album, other than a few tracks. Live In Chicago - 2004 Sanctuary.

Watch them grow watch them grow. Besides, Gener is a Jew. If you haven't heard any Ween, start here. The track is three minutes, but it easily has depth and ideas to fill up twice as much time.

Best song: Pretty much everything. Just think of the master. "Stay Forever" is nothing more and nothing less than top-notch acoustic pop rock; one could pin a label of "this is basically an imitation of *such and such band*" on it if they wanted, but that would seem to me like reaching to fit Ween into a pure satire box that didn't really fit them at this point. Once you dig into that, maybe you'll see why The Mollusk is so highly regarded, and you'll find that the "low points" of the album are merely relative. This is an endless source of laughter to Ween. In fact, their humour becomes ENHANCED by the fact that it's framed as a work of art. Ween don't get 2 close lyrics. And if u taste the candy. "Boys Club" is a cute bit of Soul-based pop, but not really like any Soul-based pop I've ever heard before (supposedly it's a parody of Michael McDonald, but if I've heard any Michael McDonald I'm unaware of it).

'Cuz no one wants a loser.