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Soon enough he tracks down its lovely owner and finds himself smitten. King of the Road (Rüdiger Vogler), who repairs film projectors and travels along the inner German border in his truck, and the psychologist Robert, a. Prey for the devil showtimes near clinton 8 theatre cec theatres. Kamikaze (Hanns Zischler), who is fleeing from his own past. METRIC (Wednesday and Thursday) Led by the vibrant, articulate singer Emily Hanes, this band finds fresh uses for new-wave brio. A triumph at the 2020 Berlin International Film Festival, the revelatory debut feature from codirectors (and twin brothers) Arie and Chuko Esiri is a heartrending and hopeful portrait of everyday human endurance in Lagos, Nigeria.
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Zoltán Korda's charged adaptation of a novel by The Four Feathers author A. E. W. Mason features Sabu in his second film role, as the teenage Prince Azim, forced into hiding when his father, the ruler of a peaceful kingdom in northwest India, is assassinated by his own ruthless brother. M., Frederick P. Rose Hall, 60th Street and Broadway, Jazz at Lincoln Center, (212)258-9595; $105. Bruce Robinson's semi-autobiographical cult favorite is intelligent, superbly acted, and hilarious. 'DEDICATION, OR THE STUFF OF DREAMS' Portraying a terminally ill, rancidly rich misanthrope in Terrence McNally's play about a small-town children's theater troupe, Marian Seldes is a snappy advertisement for the time-defying benefits of a religious devotion to theater. MONIQUE PRIETO AND LYNDA BENGLIS Ms. Prieto has, in effect, boarded over her abstract paintings with rough-hewn monolithic letters quoting Samuel Pepys's famous diary. Richard E. Grant is the endlessly suave Dennis Bagley, a high-strung advertising executive whose shoulder sprouts an evil, talking boil. 'POOR THEATER' Part homage and part anatomy, the Wooster Group's warm, witty tribute to the director Jerzy Grotowski and the choreographer William Forsythe demonstrates how imitation can be not just sincere flattery but also a hopeful attempt to crawl into someone else's skin to see how it fits. Prey for the devil showtimes near clinton 8 theatre movie times. 'THE SAFETY NET' Christopher Kyle's thoughtful midlife-crisis drama touches on everything from the racial prejudices of the liberal elite to the nature-nurture debate in this finely tuned production about a man going through the motions. Their program includes Messiaen's otherworldly "Visions de l'Amen" and works by Gyorgy Kurtag, Shoko Shida and Philip Glass. 'IL VIAGGIO A REIMS' (Tomorrow and Tuesday) This is a delightful piece of comic froth, written by Rossini as an occasional piece, featuring a dozen soloists, in honor of the new French king.
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Phoenix Theatres Entertainment. Porcupine Tree's melodic psychedelic prog rock has a metallic edge. In Rainer Werner Fassbinder's brazen depiction of the alternating currents of lethargy and mayhem inherent in moviemaking, a film crew deals with an aloof star (Eddie Constantine), an abusive director (Lou Castel), and a financially troubled production. Premiere · Q&As with Ashley McKenzie and Sarah Walker on Oct. 1 & 2. This fleet, witty picaresque about a gambler and petty thief is a whimsical delight. This epic portrait of an inexorable fall from grace, starring the astounding Kinuyo Tanaka as an imperial lady-in-waiting who gradually descends to street prostitution, was the movie that gained the director international attention, ushering in a new golden period for him. At the beginning of Seijun Suzuki's taut and twisty whodunit, a prison truck is attacked and a convict inside is murdered.
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Wry and tender, Jirí Menzel's Academy Award-winning _Closely Watched Trains_ is a masterpiece of human observation. Charlie Atterbury, a former professional Mentalist, is interviewed by a documentary filmmaker about how he came upon his mind-reading talents after a fatal fall in the forest and mysteriously returns to life with amnesia and starts hearing voices. The band is large enough to be a party all on its own, with ranks of guitarists, singers, horn players and keyboardists to pump out songs that encompass decades of American musical history. In Luchino Visconti's exquisite Dostoyevsky adaptation, Marcello Mastroianni is a lonely city transplant and Maria Schell is a sheltered girl haunted by a lover's promise who meet by chance on a canal bridge and begin a tentative romance that entangles them in a web of longing and self-delusion. It is a canny conflation of Minimalism, Pop and Op Art with subtly thrilling visual effects. Q&As with Kim Salac, Mackie Mallison, Thuy-Han Nguyen-Chi, Courtney Stephens, Sheilah ReStack, and Angelo Madsen Minax on Oct. 8 & 9. At 9, Mercury Lounge, 217 East Houston Street, at Ludlow Street, Lower East Side, (212)260-4700; $10. M., Metropolitan Opera House, Lincoln Center, (212)362-6000; $36 to $320 tonight, $26 to $320 on Monday.
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144 West 125th Street, (212)864-4500. In this bold, genre-defying horror-musical mashup — the playful and confident debut of Polish director Agnieszka Smoczynska — a pair of carnivorous mermaid sisters are drawn ashore in an alternate '80s Poland to explore the wonders and temptations of life on land. 'ROLL BOUNCE' (PG-13, 107 minutes) A drowsy comedy from Malcolm D. Lee about a handful of kids grooving and roller skating in the summer of 1978, "Roll Bounce" has heart and good vibes but little else to recommend it. DARIA FAIN (Thursday through Saturday) Ms. Fain's new work, "Germ, " is about how things form. P. S. 122, 150 First Avenue, at Ninth Street, East Village, (212)352-3101. Lamb's Theater, 130 West 44th Street, Manhattan, (212)239-6200.